Expressionism
The expressionism movement emerged across
Germany at the beginning of the 20th century and lasted till the
1930s, it later flourished to Austria, Denmark and other Nordic countries . The
movement is all about how artists seek to express emotional experience rather
than impressions of the external world. This made art more unique and personal
as one could express his own individual feelings and emotions to the audience,
this also made art more questionable and mysterious.
The expressionism movement was a response
to the lost feelings humanity had to spirituality and the world around us due
to political and social problems; it was also a part of a reaction against
academic art and impressionism were as then both styles depicted real factual
subjects.
Expressionist architecture
Expressionism is also evident in
architecture were we can find many famous architects that were involved in this
movement, such as; Bruno Taut, Erich Mendelshn, Walter Gropius, Mies van der
Rohe and Hans Poelzig. Architects who were involved emphasized on shapes and
forms that could be rarely found in architecture around that time. Just like
expressionist fine artists, architects derived from realism and emphasized on
how to implement forms and shapes that show their emotional feelings.
In the choice of materials architects opted
to go for the representation rather than the function, they mostly used bricks,
steel and glass. They highly believed that glass should be use in their design
and as one the architects stated “Coloured glass destroys hatred”,”Without a
glass palace life is a burden”,”Glass brings us a new era, building in brick
only does us harm” (Paul Scheerbart, 1914 on the Werkbund Glass Pavilion)
Expressionism was an ideal style to
implement in stage design as the stage created a deep emotional atmosphere to
the audience. And just like stage designers designed their stage so did
architects for their buildings, the architects main idea was to engage the
viewer in an emotional atmosphere when observing its form. One of their main
highlight is how light and shadow is effecting the design itself just like the
example below; Casa Batllo which is situated in Barcelona and made by Antonio
Gaudi. His designs give us a quick peep into his fantasy ideas, it almost looks
unreal. This is a clear example how most of expressionist artist mostly
mattered on looks rather than functionality.
The Einstein tower which was designed by
Erich Mendelsohn between 1917 and 1920. The masterpiece is one of the best
examples of German expressionist architecture. The designers main target was to
link its form with the buildings function which was an observatory and a
laboratory for Albert Einstein’s theory of relativity. Its flowing form also
reflects the great scenes of artistic freedom that expressionists brought. On
the other hand in this case although it brought curtain freedom in architecture
Erich still observed symmetry and although it wasn’t necessary we can already
see evidence that aerodynamic shapes were already in use.
We can also see contemporary expressionist
architecture today. The Sydney opera house is a perfect example. Another
interesting fact about the opera house is that it was one of the first sophisticated
geometric buildings to be partially constructed by CAD. It was designed by Jon
Utzon in 1956 and is mostly known for its shell structure, which again is
showing the freedom to express and show new forms and shapes.
Bibliography
Einstein tower - architecture of the world (1921) Available at: https://en.wikiarquitectura.com/index.php/Einstein_Tower (Accessed: 30 May 2016).
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